Joel Neville Anderson is a PhD Candidate in Visual and Cultural Studies at the University of Rochester working in experimental film and video, personal documentary, community media, environmental justice, film festival studies, and Japanese cinema and visual culture. Anderson’s writing has been featured in Millennium Film Journal, Senses of Cinema, International Feminist Journal of Politics, Hyperallergic, InVisible Culture: An Electronic Journal for Visual Culture, Afterimage, Film on the Faultline, MUBI Notebook, and Screen Slate, and he curates JAPAN CUTS: Festival of New Japanese Film at Japan Society in New York City, and On Film in Rochester.

www.joelnevilleanderson.com

Twitter @joelnanderson